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 | item: Overall, this set is well worth the wait. --Eric C. What Willie Nelson and Wynton Marsalis have created is a compilation of jump-blues standards with arrangements that compliment both genres. Call it a summit meeting between two American icons, Willie Nelson & Wynton Marsalis, two of the most significant figures in modern-day country and jazz, who discovered common ground in their love for jazz standards and the blues. Además hay que decir que el sonido del álbum es magnífico, muchos músicos sueñan con sonar así dentro de un estudio. Still, the things that work, work well. Luckily, the tapes were rolling and the results of this unique collaboration now constitute the Blue Note album Two Men With The Blues for everyone who couldn't cram into The Allen Room. Quizá este no s... see description |
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 | item: There are just a few sidesteps from the retro formula that's served Bublé so well so far: a languid duet with Brazilian star Ivan Lins on the bossa "Wonderful Tonight," a gospel choir on "That's Life. " Interestingly, Bublé co-wrote the best of those sidesteps, "Everything," a Norah Jones-esque number that alluringly harks back to sunny '70s pop. --Elisabeth Vincentelli More Music from Michael Bublé It's Time Michael Bublé Caught in the Act . The Canadian smoothie looks longingly towards early-'60s Vegas, an impression quickly reinforced when a boisterous horn section makes its grand entrance, about 20 seconds into the track. Ranging from "I've Got The World On a String" to "Me and Mrs. That Bublé means business is confirmed by t... see description |
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 | item: Few musicians are so closely identified with their instrument that they overshadow their peers, but the iconic David Sanborn truly merits his singular position as a saxophonist, unrivaled as a player who straddles the pop and jazz worlds while commanding respect in both. In pop, he is justly famed for his standout solo on David Bowie's 1975 hit "Young Americans"--one of many celebrated recording projects that evolved out of Sanborn's live supporting roles. On "Here and Gone," David Sanborn places his saxophone squarely within the context of the jazz-inflected pop music history that he himself has long been a part of. . And while it was conceived as a tribute to his heroes, it inevitably traces his own development as the man who has heroically taken the saxophone to the next level. Ind... see description |
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